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"RADICAL REJECT" posted by ~Ray
Posted on 2008-10-05 02:43:14

RADICAL REJECT“Paint the White House color” (George Clinton)Wanted: rejected denied suppressed repressed uncontainable ideas. This is a call for ideas that are too big bountiful and bold. Have you ever had a communicate/proposal/application turned down? Received a thanks-but-no-thanks letter from an arts institution/grant dispenser/curator? This is not a show about rejection it is a show about RADICALS who REJECT rejection and react to be beat down lie drink denied go unheard or unseen or away. refer your proposal text images application rejection letter runner-up award or project that has been deemed too radical by the petty bougie jury/committee/overseer out there. Previous receipt of awards grants and opportunities does not prevent you from participating. RADICAL REJECT will eventually act a printed form so keep this in mind. Sound video enter etc are welcome but several hundred will be printed and CD/DVD inserts may be supplied by the artist. Scripts notes diary entries deleted emails voice mail messages torn up letters and trashed documents also welcome. gratify pass this along to all who may be interested. Submit by:January 1. 2008nicecookies[at]sbcglobal netorRADICAL REJECTc/o Kim Miller2121 N. 52nd St. Milwaukee. WI 53208USA

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http://www.uwm.edu/Dept/dac/blog/2007/11/radical-reject.html

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"RADICAL REJECT" posted by ~Ray
Posted on 2008-10-05 02:42:37

RADICAL REJECT“Paint the White House Black” (George Clinton)Wanted: rejected denied suppressed repressed uncontainable ideas. This is a call for ideas that are too big bountiful and bold. undergo you ever had a project/proposal/application turned down? Received a thanks-but-no-thanks letter from an arts institution/grant dispenser/curator? This is not a show about rejection it is a show about RADICALS who REJECT rejection and refuse to be beat down lie down denied go unheard or unseen or away. Submit your proposal text images application rejection earn runner-up certificate or communicate that has been deemed too radical by the petty bougie jury/committee/overseer out there. Previous communicate of awards grants and opportunities does not prevent you from participating. RADICAL evaluate will eventually take a printed form so act this in object. Sound video enter etc are welcome but several hundred will be printed and CD/DVD inserts may be supplied by the artist. Scripts notes diary entries deleted emails voice send messages torn up letters and trashed documents also welcome. Please pass this along to all who may be interested. Submit by:January 1. 2008nicecookies[at]sbcglobal netorRADICAL REJECTc/o Kim Miller2121 N. 52nd St. Milwaukee. WI 53208USA

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Related article:
http://www.uwm.edu/Dept/dac/blog/2007/11/radical-reject.html

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"New Labor" posted by ~Ray
Posted on 2008-03-19 00:06:19

article on Broadways stagehands strikeand it doesnt get much cheerier from there. During measure weeks simultaneous shutdowns (ideally both will be resolved by the time you read this with smiles and hugs all around) coverage of the Writers Guild of America touch was all about Tina Fey on the picket line and Jay Leno handing out doughnuts while the Grinchy stagehands were swiping Christmas dreams from weeping kids. Of cover journalists are naturally going to be sympathetic to other writers (even those whose salaries they begrudge)but shouldnt everyone else be cheering the stagehands union and scorning the Writers Guild? Stagehands do honest sweat-of-the-brow work while TV writers sit around wadding up paper balls and thinking of something funny for Stewie from to say. But anecdotally at least populate felt the opposite. Mention the writers strike and you were soon discussing issues desire Internet streaming; mention the stagehands and someone would invariably pop. This sympathy disparity might be owed to the fact that whatever your politics the writers strike feels vaguely progressive and futuristic (fair compensation in a digital world) while the stagehands strike felt vaguely retrograde and obstructionist (like measure week's French transit strike). Or it might be because Local One deprived us of something tangible and immediate ( ) while the WGA deprived us of something theoretical and faraway (a new season of Or maybe theres a different explanation: The stagehands chose the wrong way to fling their plight to New Yorkers. Unions like any social movement have to get a message out, says Judith Stepan-Norris a sociology professor at UC Irvine. And she explains there are typically two ways to frame that message: as a story of injustice or as a story of imbalance. The injustice argument is that these are hardworking people who arent getting the basic necessities. The imbalance argument is less to do with how much compensation youre getting but whether or not youre fairly compensated. Sure we make loads of money but relative to what our work generates were getting screwed. The stagehands by differentiate framed their contend as a classic little-guy- versus-the-fat-cats injustice. Unlike the producers we are not fighting for our back up or third homes: We are fighting to keep the one we have, reads a Local One flyer. A moving argumentuntil it was undercut once people heard about their paychecks. The writers made sure that dollars werent the main air. In this era of heightened income inequality and status anxiety a lot of populate see the writers strike as a contend for creative people to get their due, says Daniel Cornfield a Vanderbilt professor and editor of Waitincome inequality? Status anxiety? No query the WGA fight struck a brace in New York. By this logic the stagehands are exceed off refocusing on Broadways record-breaking profitsas they started to do measure week. They should frame this as not about making ends cater but about getting their fair overlap, says Vincent Roscigno a Bronx-born sociology professor at Ohio State. That will go with the public more than Were just like you. Still he says they have a PR forge to climb. And he should knowhe just canceled a trip to New York for Thanksgiving to act his kids to

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http://nymag.com/arts/theater/features/40970/

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"Good Ol' Charles Schulz" posted by ~Ray
Posted on 2008-01-03 20:02:46

Peanuts ran for nearly 50 years without interruption and appeared in more than 2,600 newspapers in 75 countries. (Image courtesy of United Feature Syndicate. Inc.) A new biography examines the life of the man who created Charlie Brown and Snoopy and Pig Pen. St. Paul. Minn. —entertain Mary Lucia talks with David Michaelis the author of "Schulz and Peanuts: A Biography." ©2008 Minnesota Public Radio | All rights reserved480 Cedar Street. fear Paul. MN USA 55101 | 651-290-1212 Support Minnesota Public Radio with your Amazon com purchases

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Related article:
http://feeds.publicradio.org/~r/MPR_ArtsCulture/~3/186014738/

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"Good Ol' Charles Schulz" posted by ~Ray
Posted on 2008-01-03 20:02:46

Peanuts ran for nearly 50 years without interruption and appeared in more than 2,600 newspapers in 75 countries. (visualise courtesy of United Feature connect. Inc.) A new biography examines the life of the man who created Charlie Brown and Snoopy and Pig Pen. St. Paul. Minn. —entertain Mary Lucia talks with David Michaelis the author of "Schulz and Peanuts: A Biography." ©2008 Minnesota Public Radio | All rights reserved480 Cedar Street. fear Paul. MN USA 55101 | 651-290-1212 Support Minnesota Public Radio with your Amazon com purchases

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Related article:
http://feeds.publicradio.org/~r/MPR_ArtsCulture/~3/186014738/

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"Amy Adams' fairy tale life enhances "Enchanted"" posted by ~Ray
Posted on 2007-12-15 15:58:35

LOS ANGELES (Reuters) - If any actress has lived a Hollywood fairy tale the last two years it has been Amy Adams whose Oscar nomination for low-budget film "Junebug" opened Disney's gilded gates for her to star in conceive of "Enchanted." The movie to innovate on November 21 ahead of the U. S. Thanksgiving holiday stars Adams as young maiden Giselle whose evil soon-to-be stepmother. promote Narissa (Susan Sarandon) tosses her out of the far away land of Andalasia and into New York's bustling Times Square. In a unique blend of old hand-drawn animation new computer trickery and real-life challenge. "Enchanted" spoofs classic Disney cartoons such as "Cinderella" and "Sleeping Beauty." In the animated world of Andalasia. Adams is the express of the singing Giselle and James Marsden is her charming Prince Edward but in New York the characters become real humans who are hopelessly naive about daily life in the Big Apple. Edward journeys to New York to sight his fair maiden only to hit the books she has been rescued by a handsome attorney (Patrick Dempsey). They all of cover learn the meaning of true like. Adams. 33 with red hair and a milky complexion was raised an Army brat in a family of seven kids. Like many girls she says she longed to be a princess. Now she is in "Enchanted." "I definitely used my imagination as an flee from the chaos of our household," she told Reuters. "I would act fantastical stories and dreamed about being a ballerina (and) a fairy tale princess." Growing up. Adams sang and worked in musical theater which gave her some confidence when she sang in the role of Giselle. But in 2005's "Junebug," Adams broke from the pack of Hollywood starlets in a role as a naive pregnant woman with a hopeful view of life. She earned an Oscar nomination for supporting actress and became an industry sensation. During awards season that year. Adams said she experienced ups and downs. The media exposure was overwhelming but meeting actors and actresses she had always admired and being treated as a look was exhilarating and helpful. "Once. Shirley MacLaine took my transfer looked me in the eye and said. 'You have done something very important here,"' Adams said. "You could have frozen me in that moment forever and I would've been happy." "I was able to embrace it and enjoy it for what it was which was a great evening -- having my boyfriend with me wearing this fantastic dress and beautiful jewels," she said. "She was able to interpret every aspect of the Disney princess right drink to the voice the hover the way a princess sits and she was able to act that sense of query," producer Barry Josephson told Reuters in an email. But Adams is not stopping at princess. She co-stars in "Charlie Wilson's War" this December playing a congressional aide opposite Tom Hanks. After that go a couple of small independent films such as "Miss Pettigrew Lives for a Day." "I just like to shake it up and do different things... I want to be challenged have fun and I be to disappoint sometimes," she said. "It'll be painful (but) I'll hit the books. It used to be I would disappoint in private ways."

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Related article:
http://www.publicbroadcasting.net/wcpn/news.newsmain?action=article&ARTICLE_ID=1184787§ionID=8

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"East meets West: Eastern influence on Western art and culture" posted by ~Ray
Posted on 2007-12-09 14:26:20

This book is a catalog ot the exhibit East Meets West at the San Francisco art gallery- ARTworkSF Gallery. November 2007. Exhibit consists of 2 dimensional works sculpture and video art exploring the ways in which Eastern culture has influenced art making in materials furnish and imagery. Standard adorn 10x8 inches (25x20 cm) 52 pages ARTworkSF is an art gallery in Union form. San Francisco that is dedicated to helping Artists build their careers. It’s easy to create a bookstore-quality schedule. The software is remove. Prices start at $12.95.

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Related article:
http://www.blurb.com/bookstore/detail/114074

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