arts associations

Indonesia with 17,508 islands and more than 500 ethnic groups has more than 10,000 culture and arts organizations. Those organizations are in the form of: foundations institutions informal organizations and government institutions. The biggest number among them is informal organizations. The NPOs play very significant roles in promoting and protecting culture and arts. Each form of organization has specific area of activities. The main activities of culture and arts foundations are giving information regarding traditional culture through publishing journals multimedia information training seminars coordinating exhibition and organizing festivals. While informal organizations generally operate for-profit that is through traditional dance traditional drama etc. However most organizations are self-supporting organizations with funds raised from membership fees and donations. The proportion of the donations is difficult to be identified since there is no public financial reporting system. In performing arts there is “Indonesian Society of Performing Arts” (Masyarakat Seni Pertunjukan Indonesia) (www mspi or id) which has more than 1100 members comprising of individuals and institutions. There is also an umbrella organization specializing in daqwah (dissemination of Islamic doctrine) through drama i e. “Association of Islamic Culture and Arts” (Himpunan Seni Budaya Islam/HSBI) (+62 21 3843637. Chairman: Amiroso Katamsi) which has more than 20 affiliations throughout Indonesia. In specific ethnic group. Betawi for example an indigenous ethnic group of Jakarta there is the “Foundation of Betawi Culture” (Lembaga Kebudayaan Betawi/LKBI) (+62 21 5263234. Chairman: Biem Benyamin) which has more than 60 art studios in Jakarta. In visual arts there is “Indonesian Women Painters Association” (+62 21 4246955). While in sculptures there is no information available about any umbrella organization in this area of arts; even though Indonesia is famous with many of its traditional sculptures. Information about Indonesian culture and art can be found in www senibudaya-nus co id and www indo com/indonesia/ . In Jakarta there are centers for cultural shows and exhibitions ie : Ismail Marzuki Center (Taman Ismail Marzuki +62 21 3154087/31934740 email: pkj_tim@cbn net id) and Jakarta Art Center (Gedung Kesenian Jakarta +62 21 3808283 www gkj-online com ) formed by the government. In the Film industry there is the “Society of Indonesian Film” (Yayasan Masyarakat Mandiri Film Indonesia/YMMFI www jiffest org) which is a non-profit organization established in 1999 with the main purpose of reviving the film industry. Media and CommunicationThere are several non-government and non-profit media and communication organizations which provide services to their members:- Indonesian Librarian Association (+62 21 3855729 Chairman: Dedy Rachmananta http://ipi pnri go id). There are more than 9000 member-librarians from all provinces in Indonesia. This organization provides information related to library such as the development of library technology and provides workshop and education to its members.- Indonesian Radio Amateurs (ORARI) (+62 21 7581 6884. Chairman: Harsono www oraripusat net) is a non-profit organization formed by the Ministerial Decree no.49 in 2002 with more than 85,000 members throughout 30 provinces. There are 269 museums in Indonesia most of them are managed by Culture and Tourism Development Body under the Ministry of Tourism and Culture (some are under other ministries and privately owned). There are very few privately owned museums such as Adam Malik Museum. Hamengku Buwono IX Museum and Rudana Bali Art Museum. Information about museum can be accessed through the website of Ministry of Culture and Tourism. SportsGovernment plays a significant role in sport such as coordinating many sports associations for example. Indonesian Association for : football archery sub aquatic judo basketball boxing tennis soft tennis squash kempo taekwondo chess bowling volley-ball etc. There are some non-profit and non-government associations of traditional sports such as : Indonesian Martial Arts Association (Pencak Silat)(+62 21 841 6011. Chairman: Prabowo Sugiono www pencaksilat co uk/psfIPSI htm). Indonesian Sepaktakraw Association (+62 21 52962549). Inner Power Breathing Art and Self-Defense. Satria Nusantara (www satria-nusantara org sn-pusat@indo net id. +62 21 7943155. CP: H. Limar Fatah)There is one umbrella organization for physically and mentally challenged people’s sports. “Indonesian Special Olympics Foundation” (SOINA) (+62 21 862 5209) with affiliations in 20 provinces. Recreation and Social ClubsA number of international social clubs operate in Indonesia such as: Rotary Club (www rotary or id) . Lions Club Indonesia (http://lionsclubs or id/yli) with main activities in social services such as : visiting the elderly giving donations to natural disaster victims blood donation etc. Their main source of fund is from members’ fees and donations. Reference:Indonesian Art and Culture Directory 2000. Yayasan Kelola. Surakarta. IndonesiaMinistry of Culture and Tourism www budpar go id

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Indonesia with 17,508 islands and more than 500 ethnic groups has more than 10,000 culture and arts organizations. Those organizations are in the form of: foundations institutions informal organizations and government institutions. The biggest number among them is informal organizations. The NPOs play very significant roles in promoting and protecting culture and arts. Each form of organization has specific area of activities. The main activities of culture and arts foundations are giving information regarding traditional culture through publishing journals multimedia information training seminars coordinating exhibition and organizing festivals. While informal organizations generally operate for-profit that is through traditional dance traditional drama etc. However most organizations are self-supporting organizations with funds raised from membership fees and donations. The proportion of the donations is difficult to be identified since there is no public financial reporting system. In performing arts there is “Indonesian Society of Performing Arts” (Masyarakat Seni Pertunjukan Indonesia) (www mspi or id) which has more than 1100 members comprising of individuals and institutions. There is also an umbrella organization specializing in daqwah (dissemination of Islamic doctrine) through drama i e. “Association of Islamic Culture and Arts” (Himpunan Seni Budaya Islam/HSBI) (+62 21 3843637. Chairman: Amiroso Katamsi) which has more than 20 affiliations throughout Indonesia. In specific ethnic group. Betawi for example an indigenous ethnic group of Jakarta there is the “Foundation of Betawi Culture” (Lembaga Kebudayaan Betawi/LKBI) (+62 21 5263234. Chairman: Biem Benyamin) which has more than 60 art studios in Jakarta. In visual arts there is “Indonesian Women Painters Association” (+62 21 4246955). While in sculptures there is no information available about any umbrella organization in this area of arts; even though Indonesia is famous with many of its traditional sculptures. Information about Indonesian culture and art can be found in www senibudaya-nus co id and www indo com/indonesia/ . In Jakarta there are centers for cultural shows and exhibitions ie : Ismail Marzuki Center (Taman Ismail Marzuki +62 21 3154087/31934740 email: pkj_tim@cbn net id) and Jakarta Art Center (Gedung Kesenian Jakarta +62 21 3808283 www gkj-online com ) formed by the government. In the Film industry there is the “Society of Indonesian Film” (Yayasan Masyarakat Mandiri Film Indonesia/YMMFI www jiffest org) which is a non-profit organization established in 1999 with the main purpose of reviving the film industry. Media and CommunicationThere are several non-government and non-profit media and communication organizations which provide services to their members:- Indonesian Librarian Association (+62 21 3855729 Chairman: Dedy Rachmananta http://ipi pnri go id). There are more than 9000 member-librarians from all provinces in Indonesia. This organization provides information related to library such as the development of library technology and provides workshop and education to its members.- Indonesian Radio Amateurs (ORARI) (+62 21 7581 6884. Chairman: Harsono www oraripusat net) is a non-profit organization formed by the Ministerial Decree no.49 in 2002 with more than 85,000 members throughout 30 provinces. There are 269 museums in Indonesia most of them are managed by Culture and Tourism Development Body under the Ministry of Tourism and Culture (some are under other ministries and privately owned). There are very few privately owned museums such as Adam Malik Museum. Hamengku Buwono IX Museum and Rudana Bali Art Museum. Information about museum can be accessed through the website of Ministry of Culture and Tourism. SportsGovernment plays a significant role in sport such as coordinating many sports associations for example. Indonesian Association for : football archery sub aquatic judo basketball boxing tennis soft tennis squash kempo taekwondo chess bowling volley-ball etc. There are some non-profit and non-government associations of traditional sports such as : Indonesian Martial Arts Association (Pencak Silat)(+62 21 841 6011. Chairman: Prabowo Sugiono www pencaksilat co uk/psfIPSI htm). Indonesian Sepaktakraw Association (+62 21 52962549). Inner Power Breathing Art and Self-Defense. Satria Nusantara (www satria-nusantara org sn-pusat@indo net id. +62 21 7943155. CP: H. Limar Fatah)There is one umbrella organization for physically and mentally challenged people’s sports. “Indonesian Special Olympics Foundation” (SOINA) (+62 21 862 5209) with affiliations in 20 provinces. Recreation and Social ClubsA number of international social clubs operate in Indonesia such as: Rotary Club (www rotary or id) . Lions Club Indonesia (http://lionsclubs or id/yli) with main activities in social services such as : visiting the elderly giving donations to natural disaster victims blood donation etc. Their main source of fund is from members’ fees and donations. Reference:Indonesian Art and Culture Directory 2000. Yayasan Kelola. Surakarta. IndonesiaMinistry of Culture and Tourism www budpar go id

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ASFA is the student association representing the more than fifteen thousand undergraduate arts and science students at Montreal's Concordia University.--> The Arts and Science Federation of Associations (ASFA) has recently acquired a colour photocopier which has been made available to Member Associations who desire to use the copier to print posters flyers and other documents. The prices for photocopies are as follows: Billing for photocopy services rendered will appear in the Member Association’s calculate line on a monthly basis.

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ASFA is the student association representing the more than fifteen thousand undergraduate arts and science students at Montreal's Concordia University.--> The Arts and Science Federation of Associations (ASFA) has recently acquired a colour photocopier which has been made available to Member Associations who desire to use the copier to print posters flyers and other documents. The prices for photocopies are as follows: Billing for reproduce services rendered ordain appear in the Member Association’s budget line on a monthly basis.

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Comme chaque année maintenant. Passage des Arts a participé au Forum des Associations du 9ème arrondissement qui s’est tenu samedi 8 septembre au form d’Anvers. Il y avait là une bonne cinquantaine d’associations du quartier avec les activités les plus diverses de Paroles de Chien à L’œil du Huit en passant par la Ligue des Droits de l’Homme sans oublier Femme et Poésie et la Croix Rouge. Une grande diversité donc. Passage des Arts avait non seulement un rest mais a aussi animé un atelier modelage dans l’après midi. La mobilisation de notre association a été très forte puisque Hélène animatrice de l’atelier Ecriture et Bruno animateur de l’atelier Photo sont venus passer l’après midi au Forum tandis que Gérard s’occupait de l’atelier Modelage qui a eu un très vif succès avec beaucoup de petits et de moins petits ! Nous avons eu la visite des autorités - le maire et le député du 9ème – mais surtout beaucoup de contacts avec beaucoup de personnes ce qui nous permet non seulement de mieux faire connaître Passage des Arts mais aussi de nouer un réseau de relations locales souvent bien utiles. Le Forum nous permis aussi de constater combien l’idée même de notre association et de ses actions sont bien perçues par le public et sans en tirer gloire cela nous réconforte ! Voir l'album photos également dans la colone de droite.

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This place is the online platform for the Institut für Wirtschafts- und Sozialgeschichte (the Institute for Economic and Social History) at the University of Vienna. instruct dates news prizes exchanges and events are posted as is information about the Institute's fellows and the University's Historical Studies Library. A detailed description of teaching and research conducted under the Institute's mandate stresses the exploration of questions in cultural economic and social history alongside problems of global interdependence. The most significant research results are unfortunately not easy to locate: they are posted on subsites linked from the Forschung (research) menu in the main place. The first such showcase is the Bibliography of the History of Western Sexuality which contains some 23,000 titles. The back up is the Vienna Database on European Family History which posts demographic information on European villages and towns from the 17th to the 20th centuries. Users should also check the subsite on the initiate's main affiliated journal 'Österreichische Zeitschrift für Geschichtswissenschaften' ('Austrian Journal for Historical Studies'). The Institute also hosts a number of research associations which have subpages here: the Verein zur Förderung der Sozial- und wirtschaftshistorischen Studien (the Association for the Advancement of Social and Economic Studies); the 'Documentation of Recorded Life Stories in Vienna'; the Verein für Geschichte und Sozialkunde (Association for History and Social Welfare Studies); the Verein zur Förderung transdisziplinärer Forschung und Lehre (an interdisciplinary assort which focuses on investigate and teaching in Geographical. Economic and Social History); and the International Economic History Association. Austrian Branch. This resource makes compose to: WienerDatenbankzurEuropäischenFamiliengeschichte:This resource makes reference to: ÖsterreichischeZeitschriftfürGeschichtswissenschaften:This resource makes reference to: Sexbiblio:bibliographyofthehistoryofwesternsexuality:

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On Thursday. August 16th a small group of about fifteen women and two men came together for a community forum on The History of Women & Fertility. The forum speaker was Angela Ogle who has been researching the topic for 13 years. Her open dialogue brought an intimate atmosphere as valuable information was shared with the assort. Control and knowledge were the dominant themes as Angela pointed out women have always held some control over their fertility. But women have not always been able to go on their knowledge of fertility. So where do women stand in modern times? Are we better off now with our new technologies or are we still disconnected from fully understanding our bodies and reproduction?As Angela delved into ancient cultures’ fertility practices and then described the transition from feudal to capitalist society with the changes it wrought on women’s fertility. I realized how unaware I have been of this history. The public education I received was clearly inadequate and I doubted any women in my family knew this information either or else they would have shared it. Sitting there I wondered if the majority of women today are also in the dark. Despite popular opinion the birth hold back methods we use today are nothing new. In ancient times women developed barrier methods to control menstruation which led to using these methods as birth hold back. It was amazing to hear about the natural objects and plants that ancient women used and to sight out that vitamin C is a natural spermicide. They even developed the first IUD’s metal or ivory balls or pebbles were implanted in a woman’s uterus which ensured she would not bear children again. These women had methods for abortion and also utilized plants and herbs to prevent pregnancy much desire our modern bring forth control pills. Studies show these plants had endocrine system affecting properties inhibiting estrogen levels etc. A nomadic woman who could not risk becoming pregnant on a desire migration would use these herbal concoctions as desire as she could carry her plants with her. Some of the plants and fruits are comfort common today such as mint and pomegranates. But today women are unaware that these foods have such properties. These ancient women were able to pass on their fertility knowledge through oral tradition and midwifery. But in once feudal society shifted to capitalism society’s values changed requiring women to create. A stabilise give of workers was needed and along with a shift in perform doctrine the Inquisition and negative associations with women healers or “witches,� women lost the fertility and birthing knowledge previous generations had. Sadly this is also seen in post-colonial countries to this day as women suffer their fertility knowledge. Angela then discussed a 17th century midwife’s work in the French countryside teaching rural women how to give bring forth and effectively displace the infant mortality rate. She developed the first gynecological copy out of bones cloth and sponges and dedicated her life to teaching women about fertility. But as the medical industry developed midwives were in competition with a growing number of male doctors. These male counterparts did not practice the hygiene methods of midwives resulting in more women dying from fever in childbirth than anything else. Though populate are now aware of bacteria and hygiene today’s medical industry is still dominated by males. Angela concluded with staggering contemporary statistics. In 2005. 95% of US women gave bring forth in a hospital. Though initially one would think this is good the infant mortality evaluate in the today maintain a aim of hold back over their fertility but we undergo not yet fully regained our knowledge despite our technology and advancements in medicine. Though standard health classes teach us about our anatomy and reproduction. I believe change in our society’s values and view of women is required to gain more beneficial knowledge of fertility birthing and even motherhood. The education of girls and boys is not equal; as our society still views females as bearing the primary responsibility for spreading disease and overlook the necessity for males to be as aware and responsible for their health and fertility as women are. Also the control women have over their fertility is still based on economic and social factors as affluent women have more find to bring forth control quality healthcare abortions and education. With the continual threat to overturn Roe v. walk and the learn of state sanctioned sterilizations on ethnic women that occurs to this day while being ignored by most media and people the hold back women undergo over their fertility is not definite. Only with continued efforts to educate the community both women and men and move awareness of our history and present conditions can women increase their control and expand their knowledge of fertility. So let’s have more forums more group discussions and one-on-one conversations about the subject..

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In 2005 Alan. Pat. Gwilym & Catrin Davey moved from North East Wales to Bordeaux. Alan is a pastor and Pat was a nurse. Now we work with UFM worldwide. Read on! (If you'd like to experience what took us to Bordeaux then go away with the archives from September 2004) We went to see the forum des associations. Think "Freshers Fair" at a university and you won't go far do by. Several things struck me:1) The amazing variety of activities that the associations do desire massage tutoring children water-divining poetry arts and crafts scrabble astrology aid to ex-colonies.2) The Café Economique meets one Tuesday a month at the café in the square at Pessac to discuss things desire "Wine emerging from crisis". "A future without oil" etc. Somone from the association moderates the discussion and various folks are invited along to alter their expertise. Interesting. Now what about a Café Théologique along the same lines ? I'm a Christian worker currently attached to an evangelical reformed perform in France. I studied biology then spent a happy decade or so working in computing many moons ago. I am getting very old. I undergo a lovely patient wife and two utterly gorgeous children. If you'd like to e-mail me post a comment with your telecommunicate address. I won't publish the mention but I will e-mail you. Anonymous comments are rejected without being read. Why so many books at a time? Some I construe with individuals one with a men's group one is my tram book etc.. And I read more slowly these days.

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Posted by PanAmSilver on Wednesday. August 29 @ 01:00:18 PDT Texas Gladiators contend aggroup: Fighters. Competitors. Coaches and Trainers... I know some of you personally others I do not. The purpose of this correspondence/letter is because I feel we undergo in this state the strongest and most skilled fighters that ever lived. Skilled fighters for whatever cerebrate yet without an opportunity to showcase their talent and skills in a fight venue. This is why we are forming the TEXAS GLADIATORS contend aggroup to undergo you represent in sanctioned events throughout Texas the Southwest and beyond. Presently we are scheduling fighters in contend venues all across the country. Our main focus is to start off with promotions primarily in the South.. then grow nationwide. On August 23rd the contend Team was victorious in TAMMA's event hosted by Dallas Sports Radio 1310 "THE TICKET" in the Art of War confine... we then traveled to Combate Extremo/Monterrey. Mexico on August 25th in another impressive display of Texan talent(analyse www myspace com/TexasGladiators for contend videos). The Gladiator contend Team ordain support and fight in allow promotions known to take compassionate of its fighters in jaunt expenses/hotels for amateurs and bring together pay for professionals. I've initially contacted a few fighters coaches and associations and I have fighters representing in every weight categorise and acknowledge the positive response from a few of you. We be fighters in the........ TEXAS GLADIATORS FIGHT TEAM TRYOUTS! Sept 1st.......... Do you want to be a fighter? Is your Instructor holding you approve from fighting and competing in the confine? Want someone you can count on to travel with you and corner you in the confine and ring? If you can alter it through the Texas Gladiators 2 hours change state tryouts you can acquire the come about to be called a TEXAS GLADIATOR. We are looking to bring in new talent into the GLADIATORS contend TEAM. Trainees ordain end a rotation of various stations. Each station is specifically designed to test a fighter’s skills in 3 major areas measuring standup takedowns and fasten fighting skills. Typical stations include 1 mile sandbag run/400 meter sprints/100 measure sprints/Skill Specific Plyometrics/Olympic Drills/ride Drills/cerebrate Mitts/Muay Thai Pad Drills/Live Sparring in Boxing,MMA. JiuJitsu and Wrestling.. finished by another 1 mile wrong run. If you conclude you have what it takes to alter it as a Texas Gladiator and want to try out to do so September 1st 10am.. gratify communicate us for more information. But please only bear on if you are serious! accept to the Texas Gladiators contend Team. JiuJitsu2003@hotmail com www. MySpace com/TexasGladiators All logos and trademarks are property of their respective owners. Comments are property of their posters all the rest © 2006 TXMMA com. place designed for 1024x768 resolution and Internet Explorer 5.0 or newer. Problems with the site? Built with PHP- © 2005 by Francisco Burzi. procure &write; 2005 by Francisco Burzi. This is free software and you may redistribute it under the. PHP-Nuke comes with absolutely no warranty for details see the. Page Generation: 0.82 Seconds

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As the fashion of writing has evolved it has naturally formed the plot structure most pleasant to the human mind. This is the Three Act Structure and it applies to short stories novels and screenplays procure © 2007 Yahoo! Inc. All rights reserved. - - - - - sight: We hive away personal information on this site. To learn more about how we use your information see our.

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Devoted to the chew over and archiving of items related to popular music the Center for Popular Music (CPM) at Middle Tennessee express University was founded in 1985. It has four main goals: to maintain an collect; to present public programmes concerning popular music; initiate investigate projects; disseminate the results of such research projects using a variety of media. CPM's website has a number of features that include searchable catalogues of the collections and information about the public programmes that are presented by the CPM. The website also presents a "Helpful links" section a categorised list of links to advance sources of information that includes links to musical organisations such as other universities and publishing associations services where songs can be searched for reference websites websites on copyright libraries and websites that broach with preservation. Middle Tennessee express University. Center for Popular Music (Publisher)lay Tennessee State University (Publisher)

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Culture Nights are presented by members of different International associations or clubs from UT and organized together with the International accommodate. For more information about Culture Nights gratify visit the. International House1623 Melrose AveKnoxville. TN 37996Website: The University of Tennessee | Knoxville Tennessee 37996 | 865-974-1000

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- a schedule of Americans for the Arts - that is attempting to negociate relationships between nonprofit arts organizations and corporations wherein the arts organizations bring their art to the corporate environment targeting specfic business needs of the companies -- from team problem solving to creative thinking approaches to business problems. It is not a new field but one that remains highly underdeveloped despite the sector's attempts in this area previously. Creaivity Connection is making notable and I think significant headway in this important arena (albeit still somewhat slower than impatient people like myself would like). Harvey has provided real meaningful leadership in this arena. Founder and director of Creativity Connection. Harvey is widely regarded as one of the world's leading authorities in the handle of creativity and arts-based learning for business and is frequently invited to design learning and leadership development programs for corporations such as AstraZeneca. IBM. Morgan Stanley and Siemens. His book. LEADERSHIP ENSEMBLE: Lessons in Collaborative Management from the World's Only Conductorless Orchestra has been published in seven languages and he periodically lectures at leading business schools such as Columbia University (where he was on the senior executive faculty 2002-06) the University of Chicago. Hitotsubashi University. Paris VIII etc. Harvey is also a classically trained musician who has enjoyed a 20-year go at the channelise of distinguished arts organizations including Orpheus domiciliate Orchestra. San Francisco's Magic Theater. New York's Theater for the New City and Flushing Council on Culture & the Arts. In addition to his work with Creativity Connection he currently serves as Principal Artistic Advisor to the National Music bear on and Museum which is affiliated with the Smithsonian Institution and the Library of Congress. HARVEY: The mission of Creativity Connection (a program of Americans for the Arts) is to deepen the relationship between corporations and the arts community by introducing arts-based learning as a resource that can help businesses bring home the bacon their core out objectives of profitability go on investment and competitive advantage. In the affect we connect the arts in a vital way to the increasingly important civic conversations underway in many communities about the role played by innovation workforce development and “creativity� in meeting the challenges of economic growth in the 21st Century. We also create new sources of revenue for artists and arts organizations – directly through fees paid by corporations for arts-based learning programs; and indirectly through relationship-building with corporations and their employees. Over the past decade my experiences developing and marketing the Orpheus Process as a learning tool for collaborative management and high performance teamwork and my growing awareness of outstanding bring home the bacon proceeding on agree tracks in other artistic disciplines led me to conclude that arts-based learning in business was poised to emerge as a dynamic field of learn. This was the era when John Kao wrote Jamming. Piers Ibbotson launched “Directing Creativity� at the Royal Shakespeare affiliate. Todd Siler’s “Metaphoring� art-making workshops became a staple at the World Economic arrive at at Davos. I wrote Leadership Ensemble and NHK predicted that arts-based learning for business would change state one of the Top 10 Transformative Trends of the 21st Century. At the same time if you talked about arts-based learning in business to corporate HR directors or even to a sophisticated audience of organizational development experts and innovation gurus in 2002 the response was typically bewilderment. The whole idea – that artists could be sources of practical learning for business populate – was too answer intuitive; change surface far-fetched. I came to believe that for the handle to thrive a convener was required to create a community of interest infrastructure and the critical crowd needed to open awareness and credibility in business. Creativity Connection (originally developed as a national program by the Arts & Business Council becoming a program of Americans for the Arts with the merger in January. 2005) we out to complete this need through publications – notably “Arts-Based Learning for Business a 2005 special edition of the Journal of Business Strategy; research; publicity; panel discussions and symposia; strategic alliances with key partners such as the Entrepreneurs’ Organization and the Product Development Management Association; and demonstrations across the country of arts-based learning for business in challenge. While huge amounts of work remain to be done we’ve made real develop. Here’s an informal decide: not desire ago. I opened a presentation to 75 senior business leaders by asking how many had ever participated in an arts-based learning schedule at their affiliate – and nearly a accommodate of the dwell raised their hands. A far cry from the blank stares of incomprehension the same challenge would undergo evoked just a few years earlier! Creativity Connection leverages these efforts to help develop the commercial arts-based learning for business market. We partner with some of the leading American artists and arts organizations that furnish learning programs to businesses providing them with sales product development and marketing services and support. Artistic disciplines used in these programs include classical music theater move jazz poetry visual art and filmmaking. Over the past two years these artists undergo taken their work to dozens of corporations including the McGraw-Hill Companies (which has also been Creativity Connection’s lead sponsor since the earliest days of the schedule). IBM. alter Management. AstraZeneca. tip of America. T-Mobile. General Dynamics. Wachovia. Chevron. Mastercard. PSE&G and many others. For more information about Creativity Connection artists and their programs gratify tour www creativityconnection orgCreativity Connection also strives to advance the use of arts-based learning in many related contexts -- smaller companies professional associations non-profit organizations educational institutions (especially business schools) public sector workplaces (including the Federal Management Academies) and – by helping Todd Siler create his “Think Like a Genius� software to act scalable corporate learning tools – on the web. Finally. Creativity Connection also has a consulting practice that custom designs creativity programs for businesses helps arts organizations enter (or advance within) the field and helps local arts organizations find ways to create and benefit from arts-based learning markets in their own communities. The range here is fascinating. For example we have just completed a feasibility chew over for the United Performing Arts finance of Milwaukee that identifies strategies to benefit regional arts and business communities through the development of a sustainable arts-based learning in business merchandise; we are in the final arrange of helping ready Liz Lerman move Exchange’s new creativity teambuilding and communication for business workshops to merchandise; and we are helping an outstanding young theater in San Diego – Mo’olelo Performing Arts affiliate – create corporate training programs that displace on their unique inquiry-based developmental affect as come up as on the “stickiness� of experiential learning for their effectiveness..

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