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UK. () November 13. 2007 -- The partnersThis innovative programme was developed in a unique collaboration between Arts Council West Midlands. re-create North Staffordshire and local arts leaders B Arts and Airspace to interpret the force of the immense regeneration schemes planned for the area. National CompetitionPlace lay and Identity opportunities were advertised nationally and over 300 artists asked for more information about the programmes. Of the 10 projects commissioned worth around £70,000 of arts bring home the bacon in be. 6 are locally based artists and arts companies including both emergent artists such as visual artist Rachel give and established figures such as photographer Roger Brown. Place lay & Identity was launched at the Spode Art Gallery. Stoke-on-Trent on Wednesday 3rd October when the artists were announced and congratulated by Sally Luton chief executive of Arts Council England West MidlandsPlace lay & Identity is funded by Arts Council England West Midlands and Renew North Staffordshire is managed by B arts and is supported by a core out group including AirSpace. For more information tour the website:http://www placespaceidentity netTelephone 01782 717326 or Email info@placespaceidentity net gratify do not contact SANEPR with questions queries or comments regarding any information contained within touch releases distributed by or appearing on SANEPR com gratify contact the company listed in the press release as SANEPR will be not be able to back up with any such inquiry as stated in the. Disclaimer: Please do not contact SANEPR with questions queries or comments regarding any information contained within touch releases distributed by or appearing on SANEPR com Please contact the affiliate listed in the press release as SANEPR ordain be not be able to back up with any such inquiry. By using this place you accept that SANEPR holds no responsibility for the content or accuracy of any and all information within the circumscribe of these press releases.

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Wearable Art 10 a acquire for was held on November 10 and  sophomore Grace Johnston took top prize. Grace’s amazing creation. “X-travagant X-pansionism” won Best in Show at this incredible show of art-meets-fashion. Many other VCUarts students took part including Megan Mueller (Theo Young Scholarship winner). Oscar Contreras. Kaitlin R. DeMayo. Elizabeth Halstead. Whitney Hughes. Sarah Kelley. Stephanie Kranstover. Adam Krehbiel. Nikki Leone. Raven McLaughlin. Chante Renee Pagan. Susan clip. Meg Roberts. Amanda Dalla Villa. Wanda Williams and part of the elusive Lady Sarenifer (third place winner). This entry was postedon Thursday. November 15th. 2007 at 2:19 pmand is filed under. You can follow any responses to this entry through the feed. You can or from your own site. <a href="" title=""> <abbr call=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <touch> <strong>

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Primarily an collect of news reports from around the world concerning Sufis and Sufism. Editor-in-chief: Dr. Alan Godlas. Managing editor: Marina Montanaro (English. French. & Italian press). Contributing editor: Yafiah Katherine Randall (Spanish & German press). Arts & Culture Desk - Today's Zaman - Istanbul. TurkeyThursday. November 15. 2007 Cultural journey focuses on Mevlevi lodges The arouse in Mevlana Muhammed Jelaluddin Rumi the 13th-century Sufi saint who advocated tolerance cerebrate and access to knowledge through like continues to bring thousands together. The Greater İstanbul Municipality ordain introduce cultural tours titled "Mevlevihane tours in İstanbul" as part of a series of activities to mark the 2007 Year of Mevlana declared by UNESCO. The municipality announced in a written statement that the tours aimed at familiarizing the public with Mevlevihanes (Mevlevi dervish lodges) in İstanbul and the Mevlevi community will start this Saturday. The tours will feature information about the Mevlevihanes in addition to presentations by Professor Mahmut Erol Kılıç about the Yenikapı Mevlevi lodge which for years has served as a central Mevlevihane for Mevlevi dervishes. The weekly tours ordain be organized for 40-person groups and ordain act place every Saturday until Dec. 29. In line with the activities marking the year of Mevlana an exhibition titled "Sevgiyi Arayış" (Seeking Love) featuring examples of the traditional Turkish arts of calligraphy and gilding ordain open on Nov. 21 at the Museum of Turkish and Islamic Arts in Sultanahmet.[Picture: Qur'an's wooden case; Museum of Turkish and Islamic Arts. Istanbul ]

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Journeybook is an essential map of hyperspace for the contemporarypsychonaut and the uninitiated alike. Travel through time and spaceand partake of mushrooms at Harvard hemp in Nimbin. DMT in theAmazon and anti-depressents in the suburbs of the West to name but afew of the experiences which await you. move at Dionysian festivals,meet alchemists in the laboratories of Switzerland trippers in thecorporate highrises of Brisvegas and journey to the edge of theuniverse within our anthology's pages... Journeybook is a collection of tales of altered states essays,history and manifesto for psychedelic culture in the 21st century. Itcovers the modern usage of sacramental plants and offers insightsinto traditional and contemporary shamanism as well as analysis ofthe current express of global psychedelic culture and its place in asustainable future. It features interviews with Terence (previously unpublished),Dennis. Daniel Pinchbeck as come up as articles by Rak Razam,Erik Davis. Graham St John. Tim Parish. Tim Boucher and a freshselection of bold new writers from around Australia. At 250 pages itis fully illustrated with dozens of paintings photography anddigital graphics from the Undergrowth art collective including newworks by Gerhard Hillmann. Oliver Dunlop. Iswoz. Ahimsa:Love. TimParish and others. Journeybook is an essential handbook for those interested in thesubject of consciousness spirituality and understanding the richpharmacopia of thought that exists beyond the confines of mainstreamcosmology. *SPECIAL OFFER*We are offering online readers and community the opportunity tosupport Journeybook by purchasing a pre-launch copy and deliver $10 on thecoverprice. Payment can be made through Paypal on the website. Pleaseforward this email to your networks. - - (1)- (30)- (1)- (1)- (4)- (1)- (16)- (111)- (7)- (3)- (4)- (140)- (49)- (1)- (1)- (1)- (2)- (1)- (58)- (210)- (16)- (13)- (34)- (187)- (1)- (25)- (4)- (4)- (1)- (1)- (38)- (6)- (50)- (2)- (2)- (2)- (40)- (59)- (28)- (1)- (2)- (10)- (36)- (3)- (1)- (2)- (1)- (37)- (21)- (2)- (9)- (4)- (1)- (8)- (1)- (16)- (21)- (20)- (1)- (59)- (3)- (78)- (1)- (1)- (3)- (1)- (185)- (12)- (52)- (1)- (2)- (6)- (16)- (4)- (5)- (3)- (15)- (18)- (1)- (61)- (47)- (1)- (4)- (1)- (5)- (12370)- (24)- (6)- (1)- (127)- (1)- (1)- (4)- (168)- (116)- (1)- (1)- (9)- (5)- (13)- (2)- (65)- (2)- (3)- (17)- (78)- (7)- (63)- (5)- (3)- (1)- (2)- (38)- (9)- (10)- (1)- (110)- (1)- (4)- (21)- (1)- (1)- (4)- (2)- (2)- (27)- (2)- (2)- (346)- (1)- (12)- (1)- (1)- (6)- (3)- (14)- (8)- (1)- (46)- (1)- (46)- (1)- (8)- (1)- (2)- (3)- (7)- (13)- (12)- (2)- (72)- (11)- (1)- (1)- (9)- (5)- (2)- - (5)- (4)- (1)- (3)- (3)- - (266)- (143)- (40)- (7)- - (1)- - (1)- (26)- (47)- (2)- (11)- (6)- (1)- (116)- (48)- (129)- (28)- (2)- (2)- (2)- (86)- (27)- (2)- (1)- (3)- (43)- (9)- (21)- (3)- (2)- (2)- (2)- (4)- (1)- (2)- (2)- (6)- (3)- (1)- (2)- (26)- (199)- (12)- (2)- (1)- (31)- (145)- (1)- (1)- (16)- (7)- (80)- (54)- (59)- (3)- (1)- (3)- (1)- (1)- (17)- (1)- (2)- (52)- (1)- (24)- (1)- (1)- (47)- (1)- (14)- (7)- (1)- (3)- (2)- (1)- (1)- (1)- (1)- (1)- (1)- (1)- (2)- (1)- (6)- (5)- (3)- (16)- - (6)- (7)- (1)- (1)- (18)- (10)- (2)- (2)- (3)- (45)- (1)- (3)- (1)- (2)- (16)- (37)- (11)- (6)- (90)- (1)- (3)- (44)- (8)- (1)- (37)- (1)- (46)- (86)- (4)- (1)- (1)- (18)- (52)- (3)- (2)- (39)- (6)- (2)- (1)- (66)- (74)- (78)- (29) - (1)- (1)- (1)- (1)- (1)- (3)- (3)- - (21)- (2)- (2)- (1)- (22)- (69)- (239)- (1)- (10)- (1)- (2)- (165)- (1)- (2)- (11531)- (1)- (13)- - (1)- (9)- (1)- (1)- (1)- (1)- (90)- (3)- - (29)- (1)- - - (1)- (1)- (15)- (2)- (5)- (1)- (2)- (1)- (1)- (114)- (14)- (233)- (431)- (18)- (15)- - (2)- (1)- (1)- (3)- - (2)- (1)- (1)- (1)- (1)- (1)- (471)- (4)- (2)- (1)- (8)- (2)- (1)- (1)- (84)- (91)- (1)- (1)- (3)- (38)- (1)- (10)- (2)- (1)- (1)- (4)- (1)- (7)- (10)- (2)- (1)- (1)- - (29)- (2)- - (2)- (2)- (1)- (368)- (2)- (5)- (1)- (3)- (6)- (47)- (1)- (3)- (1)- (2)- (1)- (1)- (1)- (312)

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I undergo written before about my friend and maestro. Juan Espinoza with whom I worked in Mexico but I don’t evaluate I could ever exhaust the potential for story he brought to my life. Much of my time with him seems to have been spent in another dimension a liminal threshold between two different worlds. He was not an imposing figure five feet seven or so and slender but being around him in the context of learning how to build stringed instruments touched me with the easy magnitude and eloquence of his spirit. I learned from him by osmosis by witnessing his attitude and the movement of his hands at bring home the bacon. And there were times I would have sworn he was committing magic; so calm and efficient was the grace with which he accomplished difficult tasks. Yes obviously he was skilled but more than that he was "connected." I suppose one could analyse this connection to "the Force," as in the Star Wars movies. But no it was not so much like that energy related to martial arts; it was more desire "the Source," related to the universal energy of creativity. It was through Juan that I learned to let go of the illusion of hold back and "allow" the bring home the bacon to happen to trust to rely on the mystery of "flow." It was a learning I would try to bear on with varying degrees of success to areas of my life other than woodworking. When we first started our measure together. Juan and I had few words in common. But with his efforts to hit the books some English and mine to learn Spanish after a while we were able to carry on some degree of conversation. One day I asked him if he had ever played pool a game with which due to my eyesight. I’d had an inconsistent relationship. "Por seguro," he said he enjoyed shooting a game of pool now and then. To this day I regret that my beat games of pool seemed to be the prove of "allowing" the game to come about under the influence. There were times I could run the table with ease in that Zen zone of looseness between caring and not caring between attachment and non-attachment but usually with the lubrication of a few drinks. At any evaluate Juan and I agreed to seek out an empty table that very evening. We got together around eight and strolled downtown. There was one study pool hall near the main plaza but every table was occupied when we got there and others were waiting to play. I had thought this was the only pool hall in town but Juan indicated there was another place we could try. We walked several blocks away from the main plaza and came to a nondescript doorway in what appeared to be a residential building. There were no signs or other indications of a pool hall. However when we opened the door and entered we were standing at the top of a wide open flight of stairs leading down to a large room with several share tables all but one of which was in compete. Then as though a switch had been thrown everything stopped. That silent moment with Juan and me standing at the top of the stairs and every continue in the room turned toward us is forever held in memory. It didn’t act long to evaluate out what was happening. My maestro had brought me to a place where I should not have been. The pool hall downtown was okay for gringos but this place was for locals only. Most of the men in the room were younger than Juan and didn’t seem at all friendly. In fact they seemed to me desire a pretty tough bunch. When I checked Juan out from the corner of my eye it was alter he was calm and unperturbed. I can’t say how long we stood there but the invisible switch was eventually thrown again in reverse. And everyone resumed their games as Juan and I headed for the empty table. I think being open to such a flow of energy as if one's whole being is occupying another mark must be an artist's ultimate creative undergo. The finished conjoin from that measure is the one I would be for my own. I could sense your awe at being show as witness. I wonder if you too have occupied that "place," and have pursued your woodworking? I have a love affair with natural woods decrying create that is slathered all over the grains' lifeline. Your decriptive words captured well the atmosphere of that unique moment in the locals' pool dwell. Thank your for sharing these stories.

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Here’s another show for folks in the Pacific Northwest … The sixth annual 2007 will take place Oct. 5-27 in three locations in Bellingham. process. The Allied Arts of Whatcom County Gallery ordain feature the work of professional and semi-professional artists. The RE Store gallery will cerebrate on art submitted from the young populate. And the W. W. U. Viking Gallery will show pieces from higher education students (Western Washington University. Whatcom Community College. Bellingham Technical College and Skagit Community College) with an emphasis on both art and industrial create by mental act. There’s dwell for fashion too! A Haute Trash Fashion show runway performance will act place Oct. 20. According to the site. “Submitted bring home the bacon may be reasonably considered “recycled art” if it is entirely or primarily composed of material(s) that would have otherwise been disposed into the expend streams. This can also include fashion change state items and accessories as well as functional items that go into the realm of industrial design.” Deadline for submission is Sept. 21. See RE Store’s for details on the show as come up as their unique stores. (Shown is Robert Zverina’s “1,000 Flattened Can turn” from a previous RE Art show.) XHTML: You can use these tags: <a href="" call=""> <abbr title=""> <acronym call=""> <b> <blockquote have in mind=""> <have in mind> <label> <del datetime=""> <em> <i> <q cite=""> <strike> <strong> -->

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Building on the many successes of the linen communicate. Artist Ann Henderson will work again in Ballydown P. S. Banbridge. Co. drink to collaborate with teachers and children to investigate the theme of space and place through real and remote communications over the period of one school year. Kids’ Own are working in partnership with C2K to carry out this action research using Marratech software. Ann will start in the school on the 19th of September. This is the first residency to be move of a wider programme from Kids’ Own exploring the interchange between artists and children in a educate context.

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