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news reviews theatre dance performance art music culture sydney australia Looking on his hands This is a sight. Lady MacbethA foolish thought to say a sorry sight. sydney arts journo news reviews arts culture theatre performance dance music cinema in sydney "Mr Pickard is quite unqualified to make the assertions that he has made..." Rob Brookman. General Manager. Sydney Theatre Company "Really enjoying your blog. Keep up the good work. " Lyn Gardner. Guardian theatre critic ".. the wonderfully well- and outspoken Sydney theatre blogger..." Ming-Zhu Hii. Minktails Blog The Sydney Arts Journo blog is designed to bring praise criticism and discussion to the performing arts and cultural industries of Sydney while ruffling a few feathers. It is a place to share ideas voice concerns as well as being a forum to provoke consideration and passion. But especially to remove the fear of saying what you think when away from the corner of a foyer.  - 23/11/2008  - Anonymous  - 21/11/2008  - Matthew  - 20/11/2008  - marcellous  - 20/11/2008  - Gaz  - 19/11/2008  - Gaz Diseño original por | Adaptación a Blogger por

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news reviews theatre dance performance art music culture sydney australia Looking on his hands This is a sight. Lady MacbethA foolish thought to say a sorry sight. sydney arts journo news reviews arts culture theatre performance dance music cinema in sydney "Mr Pickard is quite unqualified to make the assertions that he has made..." Rob Brookman. General Manager. Sydney Theatre Company "Really enjoying your blog. Keep up the good work. " Lyn Gardner. Guardian theatre critic ".. the wonderfully well- and outspoken Sydney theatre blogger..." Ming-Zhu Hii. Minktails Blog The Sydney Arts Journo blog is designed to bring praise criticism and discussion to the performing arts and cultural industries of Sydney while ruffling a few feathers. It is a place to share ideas voice concerns as well as being a forum to provoke consideration and passion. But especially to remove the fear of saying what you think when away from the corner of a foyer.  - 23/11/2008  - Anonymous  - 21/11/2008  - Matthew  - 20/11/2008  - marcellous  - 20/11/2008  - Gaz  - 19/11/2008  - Gaz Diseño original por | Adaptación a Blogger por

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You don't have permission to view this document. () The owner of this enter has chosen for this enter to be secret -- only people with the correct password can believe it. You must contact the owner of the document and ask for the secret URL to view the document. Store and Bookmark Documents Please register your telecommunicate address below to reset your password. We will send you an email with instructions on how to act. Store and Bookmark Documents

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The breathtaking speed of execution and prolific output of Nolan – estimated to be many thousands of paintings – has always proven a dilemma for the many retrospectives during his lifetime the last being organised by the National Gallery of Victoria in 1987 for the artist’s 70th birthday. The exhibition features many of Nolan’s finest masterpieces; some 120 paintings gathered from public and private collections in Australia. London the United States and France. Many have rarely been seen in public thus contributing to a fresh experience for a younger generation and perhaps rediscovery for those who conclude they are already familiar with the artist. The paintings are displayed in strict chronology underlining the evolution of Nolan’s vision from its genesis in Melbourne during the late 1930s to the UK half a century later. Each critical arrange is represented from the St Kilda and Wimmera themes through the first Ned Kelly series. Central and Northern Australian landscapes and explorer subjects. African. Antarctic and European paintings to Chinese and Australian-inspired abstractions. Emphasis is given to the late spray-painted. Chinese landscapes and abstractions which in some ways are an echo of how Nolan began in the highly charged years of his adolescence. For beneath the originality of his approach to adorn nature and history themes over more than 50 years there was an enduring passion for the purely formal possibilities of painting. Driven forward at velocity by a powerful instinct. Nolan was aware of the bewilderment entangle by critics at his diversity of styles and subject. It helps to remember in this regard the most consistent influences which inspired him constantly to challenge conventional boundaries and go beyond them: the poets Rimbaud. Blake and Rilke. His faith in their ideas fed his impulse to travel to all corners of the planet with an insatiable curiosity to sight the extent of the unknown that his painting might encompass. Some of Nolan’s most famous paintings are included such as Boy and the idle 1939-40 the iconic Kelly masterpiece First class marksman 1946. Pretty polly mine 1948. Burke and Wills leaving Melbourne 1950. The temptation of St Anthony 1952 and Rimbaud at Harar 1963. The epicentre of the retrospective however is the historic conjoining in two semi-circles – echoing Monet’s famous waterlilies murals in Paris – of the multi-panel paintings Riverbend I 1964-65 and Riverbend II 1965-66 where we may change state immersed in Nolan’s dreamlike return to the inner landscape of his childhood made indelible long before he gained a reputation as one of Australia’s greatest artists. Riverbend I and II evoke the place where the artist’s grandfather struggled on the land and as a policeman pursued the Kelly gang embedding at once in Nolan’s psyche the refrain of a violent past and a deep love of the Australian furnish. A fully illustrated catalogue will accompany the exhibition. Published by Beagle Press the catalogue includes a major act by the curator Barry Pearce and contributions by Edmund Capon. Frances Lindsay and Lou Klepac with Nolan’s own eloquent words woven throughout. ‘Ernst & Young is proud to be partnering with the Gallery on the Sidney Nolan retrospective. This exhibition reflects our commitment to the arts both in Australia and around the world and to the communities in which we serve. The Art Gallery of New South Wales is to be congratulated on this important and valuable exhibition.’ - James Millar. CEO Australia -- www artgallery nsw gov au

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First published in The Daily telecommunicate. The public transport wasn't an option and the parking was a nightmare but neither of these factors was enough to deter anyone attending the second inaugural Riverbeats Festival on the riverside in Parramatta. While the hustle and bustle of a Saturday night displace enjoyed the culinary delights of perform Street down next to the river a festival of wet,of lights and of culture was exploding. The heavy rain in Sydney throughout the week threatened to put a dampener on the proceedings but go the morning of the weekend the sun burst through the ominous front and created a beautiful spring day. Accordingly the people of Parramatta emerged in their thousands to celebrate. Picnic blankets bottles of booze laughter and applause greeted the casual observer as you surrounded yourself in a spectacle of beautiful music and a light show that captured the essence of a city that truly honours its creative beat. On one side of the river a stage was set framed by four enormous inflatable balloons that acted as projection screens for footage film and the worlds best in digital art. It was a festival like no other in Sydney. Outdoor sculptures adorned the passage ways into the riverside the esoteric sounds of CODA filled the estuary and ERTH puppeteers created a magical world that captured the hearts of everyone fortunate enough to be in attendance. And all this was then supported by the sounds of Paul McNally and the astonishing work of New York based animators Motomichi Nakamura. Sure the official speeches dragged things drink but it was alter that this night was for the people. It was a celebration of the spiritual defeat from the river and it honoured the forbears of this beautiful land. Parramatta really is the centre of this magnificent city and change surface more so during this stunning public event. "Mr Pickard is quite unqualified to make the assertions that he has made..." Rob Brookman. General Manager. Sydney Theatre Company "Really enjoying your blog. Keep up the good work. " Lyn Gardner. Guardian theatre critic ".. the wonderfully well- and outspoken Sydney theatre blogger..." With over 25,000 unique visitors logging. Sydney Arts Journo is proving to be a leading arts news site. Lead articles are read by more populate each day than the arts publisher in Australia. The Sydney Arts Journo communicate has been created to bring praise criticism discussion and debate to the performing arts and cultural industries of Sydney. It is a forum for.

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First published in The Daily telecommunicate. The public transport wasn't an option and the parking was a nightmare but neither of these factors was enough to deter anyone attending the back up inaugural Riverbeats Festival on the riverside in Parramatta. While the hustle and move of a Saturday night crowd enjoyed the culinary delights of Church Street down next to the river a festival of water,of lights and of grow was exploding. The heavy rain in Sydney throughout the week threatened to put a dampener on the proceedings but come the morning of the pass the sun break through the ominous front and created a beautiful move day. Accordingly the people of Parramatta emerged in their thousands to celebrate. Picnic blankets bottles of booze laughter and applause greeted the casual observer as you surrounded yourself in a spectacle of beautiful music and a light show that captured the essence of a city that truly honours its creative pulse. On one side of the river a stage was set framed by four enormous inflatable balloons that acted as projection screens for footage enter and the worlds best in digital art. It was a festival like no other in Sydney. Outdoor sculptures adorned the passage ways into the riverside the esoteric sounds of CODA filled the estuary and ERTH puppeteers created a magical world that captured the hearts of everyone fortunate enough to be in attendance. And all this was then supported by the sounds of Paul McNally and the astonishing work of New York based animators Motomichi Nakamura. Sure the official speeches dragged things down but it was clear that this night was for the populate. It was a celebration of the spiritual beat from the river and it honoured the forbears of this beautiful land. Parramatta really is the centre of this magnificent city and even more so during this stunning public event. "Mr Pickard is quite unqualified to make the assertions that he has made..." Rob Brookman. General Manager. Sydney Theatre affiliate "Really enjoying your blog. Keep up the good work. " Lyn Gardner. Guardian theatre critic ".. the wonderfully well- and outspoken Sydney theatre blogger..." With over 25,000 unique visitors logging. Sydney Arts Journo is proving to be a leading arts news place. bring about articles are construe by more people each day than the arts publisher in Australia. The Sydney Arts Journo blog has been created to bring praise criticism discussion and debate to the performing arts and cultural industries of Sydney. It is a forum for.

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The Australia Council for the Arts. Ceres Solutions and Performing Lines have joined forces to announce the New Music Touring communicate - appear Travellers - a two year project to aid and promote the national touring of appear art/electronica new jazz/ improvisation and contemporary classical music. This communicate is being managed as a partnership between established touring organisation Performing Lines and arts strategy affiliate Ceres Solutions with director Joanne Kee leading the project. The intention of Sound Travellers is to bring these genres to a larger audience nationwide at the same time as securing assistance for existing artists across the country to further develop their practice. There ordain be two components to Sound Travellers. For artists there is a give based schedule designed to assist Australian artists to journey nationally. appear Travellers will also explore the options to both broaden and strengthen the national touring opportunities for these music genres. An artistic advisory panel with specialists from each genre has been formed to make recommendations to the executive committee regarding the overall objectives of the project. This panel includes – Stephen Adam (ABC Classic FM). Professor Andy Arthurs (Queensland University of Technology). John Davis (Australian Music Centre). Ronny Ferella (Musician and co-director of Half Bent). Cat Hope (Sound Artist and Head of Composition and Music Technology - WAAPA. ECU). Adrian Jackson (Wangaratta Festival of Jazz) and Roland Peelman (AD - Song affiliate). The call for applications for the first give go will be announced in late November 2007. Guidelines for the grants ordain be available on the Sound Travellers website () from early November 2007. Successful applicants will be advised in early 2008. If you wish to address a project that has the potential to give infrastructure/new opportunities or ordain strengthen touring networks or you would like more information about this project gratify communicate: Performing Lines develops produces and tours contemporary Australian performance nationally and internationally - across genres including physical theatre circus dance indigenous and intercultural arts music theatre hybrid work and text-based theatre. Performing Lines also manages projects including Mobile States - touring contemporary performance and Tasmania Performs - an initiative of Arts Tasmania to back up regional touring. Ceres Solutions focuses on working with small/medium sized arts organisations. Our philosophy is to empower with knowledge networks and strategic planning as come up as short term operational assistance. Joanne Kee is the Director of Ceres Solutions. She has worked in the arts sector in both the UK and Australia for organizations such as the Arts Council of England. Sydney Opera House. Café Carnivale. The Song Company and Jazzgroove Association as well as working with individual artists. Her track record includes producing concert series/performances and tours in Australia and overseas strategic business development and implementing successful branding audience development and fundraising strategies www ceressolutions com au

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Sydney University’s is a venue I have been to once previously and it came as somewhat of a shock to hear that both Explosions In The Sky (15 Feb) and Beirut (5 Mar) ordain be playing there in the new year. Unfortunately I will be away most of February but I hope to catch EitS at the Astoria in London on 30 Jan. Explosions In The Sky tour dates: Feb 14 - The Zoo. Brisbane []Feb 15 - Manning Bar. Sydney []Feb 16 - The Corner Hotel. Melbourne []Feb 17 - Perth International Arts Festival Mar 5 - Manning Bar. Sydney []Mar 6 - The Zoo. Brisbane []Mar 7 - WOMADelaide. AdelaideMar 8-10 - Golden Plains FestivalMar 11 - The command Hotel. Melbourne [] : beirut? are you kidding? in victoria? is he playing in sydne... : accept approve! i've been waiting for updates for ages geez.... The mp3s at this site are for evaluation purposes only. If you desire what you hear gratify support the artist by purchasing the album/EP and attending their shows.

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My apologies to all for dragging my feet to update the blog. I am currently juggling the beginnings of a new contract as well as trying to still sight moments to walk off to the theatre. Consequently the blog my poor blog has suffered. Mentally. I am also gearing up for the Sydney Festival. One of my favourite favourite events. There is something about a festival that makes the air comprehend sweet. And whether you are in Sydney. Melbourne. Berlin. London or even my dear Ljubljana a festival is always a magical experience. I think it’s the feeling of an international focus it’s the people on the streets it’s the fiesta it’s the summer time. The launch last Thursday evening at the Opera accommodate gave an insight into what a great festival it will be again this year. There is something about the combination of Artistic Director Fergus Linehan and General Manager Josephine Ridge that creates a great synergy for the festival. They are probably the most friendly and approachable in the game. The whole festival atmosphere certainly took the arts journo’s from all the study outlets with it as we all ended up drinking late night cocktails at some Circular Quay bar to the sound of salsa music. And on a educate night too. I was change surface luckier to have captured some of the festival spirit only the week before. As you may experience. I managed to pop down to Melbourne and catch the last gasps of MIAF. Due to some enormous Singapore Airlines plane taking off and an associated publicity stunt coupled with a few thunder storms in Sydney. I managed to miss a show on the Friday evening. But I did catch the fiesta at the Spiegeltent later that evening befriending an ensemble of Catalan artists from Teatre Lliure who were performing in the show. Coincidentally their show was the one I was attending the following evening at the Arts Centre. And I have to be with Alison Croggon’s to say that I absolutely adored the show. is boldly advertised as a prologue to Hamlet from the moment the show begins. Facing us is a three story dolls accommodate view of a contemporary domiciliate. The kitchen the lounge the chew over bedrooms bathroom and garden. It is a voyeur’s believe that harks back to something out of Rear Window. From the moment that the family arrive domiciliate from the funeral (of King Hamlet) the beautiful depth of this production digs out a movie-like contemporary tragedy as the fathers death grips the household. The maid quietly goes about her business without making a sound young Hamlet breaks drink while his dear friend Horatio gives him a bring up to cry on and Gertrude sits silently in her room overwhelmed by sorrow. Until slightly into the play the house blacks out and King Hamlet’s shadow appears in a red lighten of the master bedroom. Purists will dislike European House but for this audience member it showed the way Shakespeare can be transcend so many forms. It is like discovering Kurosawa. Kozintzev or West align Story. This moment dawned on me as the cast stopped in their tracks to the domestic drama and as one faced the audience and starting mouthing the words to ‘No surprises’ by Radiohead. This is my final fit my final bellyache withNo alarms and no surprisesNo alarms and no surprisesNo alarms and no surprises pleaseSuch a pretty house such a pretty gardenNo alarms and no surprises (let me out of here)No alarms and no surprises (let me out of here)No alarms and no surprises gratify (let me out of here) It was a beautiful anthem for Hamlet and it was supported by the quintessential video clip image that should undergo made this compulsory viewing for every high school student in the country. Bring on the Sydney Festival. But I sure as hell want as many alarms and surprises as I can get. We'll undergo to accept to differ. Nicholas! Did you see anything else at MIAF while you were drink? Because there were things that really put European House in the darken. It had its moments for sure but it just didn't quite seem to experience exactly what it was. Indeed Alison! And unfortunately I didn't see anything else at MIAF. But I do accept with you about that text on the re-create.. spelling mistakes aside that was certainly 'naff'! Rob Brookman. General Manager. Sydney Theatre affiliate "Really enjoying your blog. Keep up the good work. " ".. the wonderfully well- and outspoken Sydney theatre blogger..." This site is to bring appraise criticism discussion and debate to the performing arts and cultural industries of Sydney. It is a forum for ideas to analyse to contrast and above all to create consideration and passion. To shift the fear of dialogue and be at where we are as a community within the fabric of the national and international arts scene. Sydney Arts Journo is a journalist and arts writer whose bring home the bacon has appeared in a number of publications including the Sydney Morning Herald. Currency House and Crikey com. I am presently a theatre reviewer for The Daily Telegraph in Sydney. I have lived in Hong Kong studied in Australia the United Kingdom and Slovenia.

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