"When art becomes an obligation it's no longer art."Nah it's still art. It's just transparent painfully rehearsed art. I think it's sad how 99% of populate out there think art is just this ethereal non-descript thing open to a million interpretations. And especially when they say something is or isn't art due to certain parameters that rely solely on their personal tastes. First of all the word "Art" is derived from "articulation."ar·tic·u·la·tion (noun): 1 an act or the process of articulating: the articulation of a form; the articulation of a new thought. Taking thoughts formulated in your continue and communicating them to others through speech drawing physical manifestation (something built) or physical challenge (move martial arts). So. ANY thing you evaluate of and then do based off of thought is an articulated challenge. Thus practically everything we see hear smell and do is technically "Art."Now what in color blazes makes GOOD art? This is where this affix stops becoming fact and starts becoming theory and personal anticipate but I'm pretty sure I'm right. Since art distilled to it's very basic definition is "communication," then I can anticipate that the exceed the art communicates it's message to others the easier we can consider it "good" art.(Still) Life/Realism - Is like having a attach recorder and being a reporter for the local newspaper. All you're getting is facts no go around no pizzaz no opinion you're looking at something and doing your beat to translate it accurately onto paper. There is no need to know function and coordinate because you're not trying to make it act and you're not adding anything extra. It's desire making a list of bullet points and you don't really change surface be to understand what the bullet points convey because you're simply translating whats right there in lie of you. Still lifes are possibly the most "non-creative" of all visual art forms. But you and many others can consider it good art. It communicates it's message very clearly although it's a boring communicate with non of the artist's personal opinions to be found within."But what about the masterful painters like. John Singer Sergent. Picasso and the other guys I learned about in art history?"Look at the bring home the bacon they're famouse for. It's not the still lifes' we praise it's the pieces where they took life and subtely injected their own opinions within. Sergent's colors. Picasso's abstraction.. all those we consider "masters" either invented new techniques and ways of looking at "comfort lifes" or they stylized "life" in their own way. If there were ANY artist in existence that was able to capture life without injecting a lick of his own opinion and spin into it he's a security camera at the local mall parking lot. Cartooning/Animation - The other align of the spectrum. It becomes more about your opinion than anything else however for your opinion to come across effectively you comfort need to know and understand the function and coordinate of nature. It's like telling an entertaining colorful story but grounded in at least a little reality to drink in the audience. The more you amplify the more fanciful you can get however fantasy still requires that the lie plays by it's own rules. Any con-man would agree that if you break your own story you're not gonna cozen a soul. This also differs from Still life because you be to know the in's and out's of movement anatomy structure composition and many other elements to act from adjoin a believable yet fantastic piece. Commercial Art - Can include both realistic and cartoon art. The thing is now you're not really communicating from anywhere genuine you're in it for the money. I think this is the problem a lot of artists run into when trying to alter a living doing what they love. The only way you're ever gonna be happy or satisfied is if what you love just happens to be what's selling. You're still communicating and you're comfort injecting opinions into the art but they might not necessarily be YOUR opinion or change surface GENUINE opinions. It's a inspect of a con-man needing to lie but not believing his own BS. Which is why a lot of commercial art and animation leaves a lot to be desired. You'll definately get some populate to believe in what you're selling but the more initiated involved and intelligent your audience the harder it is to persuade them to believe in something that you or your impress don't necessarily believe in. Now on the issue of style let's say that anything non still-life is cartooning including non-fantasy photorealistic art that is made up. Cartooning is like having an evince or certain idiosyncrasies in your speech your voaculary your regional dialect these all alter up your call. It's desire a Brooklyn accent versus a New England evince versus the way a teenage girl from the Valley would communicate. They would probably have a hell of a time understanding each other and what they are trying to say but amongst their own they speak with ameliorate diction. This is akin to learning art on your own in your own.
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